Sex Education has always been known for its unique blend of humor and addressing sensitive topics. In its four seasons, the show has fearlessly tackled issues like bullying, slut-shaming, sexual assault, and public humiliation. However, in its latest season, it ventures into new emotional territory—death and grieving.
The passing of Erin Wiley in “Episode Four” marks a significant shift in the series. While her overdose wasn’t entirely unexpected, given the gravity of the situation and the finality of this season, it still introduces a new layer of complexity. How does one grieve for someone who was never around as much as they should have been? How do you begin to unravel the intricate mix of emotions that such a loss brings?
Maeve Wiley, a character who has often served as our window into unique challenges, faces this poignant moment head-on. Her upbringing was far from typical. After her father left and her mother faced legal troubles, she found herself raised intermittently by her older brother Sean in a trailer park. Unlike Otis, who had Jean as a constant figure in his life, Maeve had no one. Her relationship with her mother is fraught with complexities that are challenging to put into words.
What sets this episode apart is the unexpected rhythm of its emotional beats. When Maeve receives the news of her mother’s passing at the hospital, her initial response isn’t tears or seeking immediate comfort from Aimee and Otis waiting outside. Instead, she chooses to take some time alone, engrossed in a crossword puzzle book she found in the waiting room. She lingers there, long after Sean confirms the news. It’s a delay tactic, a way to postpone the inevitable moment when she has to confront reality. The puzzle provides a tangible task to occupy her, a temporary respite from the overwhelming emotions she knows are waiting.
Notably, “Episode Four” doesn’t bring the ongoing plots to a complete halt, even amidst the love triangles. While Otis and Aimee wait for Maeve, they indirectly discuss her friendship with Isaac, hinting at her feelings for him. Otis advises Aimee to communicate her emotions to Maeve before things become even more complicated—an idea that resonates with his own concerns about his recent night with Ruby, even if nothing substantial occurred.
Meanwhile, Ruby grapples with lingering feelings for Otis. The episode briefly shifts perspective to her, revealing that Otis’s clients are flocking to his office in his absence. Ruby expresses her frustration, threatening to make Otis’s life difficult. However, O, in her astute manner, eloquently dissects Ruby’s feelings, highlighting that if someone genuinely likes her, they won’t engage in games.
Yet, at the heart of it all are Otis, Maeve, and Aimee—three individuals whose bond runs deep. Emma Mackey delivers a standout performance, portraying Maeve’s internal conflict with striking authenticity. Her subtle reach for Otis’s hand after he comforts her is a particularly moving moment, following her seemingly casual remark about her mother’s passing.
As the trio settles in for the night at Anna’s house, there’s a momentary illusion of normalcy. They engage in light-hearted banter, even discussing Aimee’s late-night snack choice. However, beneath the surface, a well of emotions simmers, waiting to be unleashed.
The episode also explores the storyline of Michael Groff, which initially appears more comedic than dramatic. Michael’s performance anxiety issues create tension in his relationship with Gloria. His attempts to boost his sexual confidence with Viagra and self-pep talks yield only temporary results. It becomes evident that his struggles are rooted in something psychological.
A pivotal moment occurs when Michael calls into Jean’s radio show to share his feelings of inadequacy. With Jean and temporary co-host O’s help, he discovers that his best performances require a secure emotional connection, something currently lacking in his life. This realization adds depth to his character and his relationship with Maureen.
Maureen’s arrival at Michael’s house to kiss him is a poignant scene, highlighting the enduring love between them, despite pursuing other relationships. The episode also skillfully brings other established characters into Jean’s storyline, enhancing its connection with the broader series.
Notably, O’s involvement in Jean’s radio show, owing to their generational differences, enriches the program and brings depth to both Otis’s relationship with his mother and his rivalry with O. Additionally, Joanna’s character experiences growth in this episode, hinting at an upcoming revelation about Joy’s parentage.
In contrast, Eric’s storyline appears to be a bridge to the next phase of his character arc. His experiences, including seemingly divine messages and reconnecting with his faith, hint at internal conflicts and challenges ahead.
As we reach the midway point of the final season with only four episodes remaining, emotions are running high, and characters are grappling with their internal conflicts. “Sex Education” continues to navigate uncharted emotional terrain, promising an engaging and heartfelt conclusion to its captivating narrative.
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