Kenneth Branagh, known for his remarkable talent both behind and in front of the camera, has found a captivating rhythm in his adaptations of Agatha Christie’s iconic Hercule Poirot mysteries. In “A Haunting in Venice,” Branagh once again takes on the roles of director, producer, and star, delivering a fresh twist to the beloved detective’s world. This time, the twist comes in the form of a subtle supernatural element, making it the perfect cinematic treat just in time for Halloween.
While this modern return to Agatha Christie’s stories could have gracefully concluded after the Covid-delayed “Death on the Nile,” Branagh decided to embark on another Poirot adventure, adding a layer of intrigue and mystique to the narrative. “Death on the Nile” served as a star-studded sequel to “Murder on the Orient Express,” a film that, although well-received, didn’t quite match the brilliance of the 1974 version starring Albert Finney.
In “A Haunting in Venice,” Branagh takes audiences back to 1947, post-World War II, where Hercule Poirot is unhappily enjoying his retirement. However, his tranquil life takes an unexpected turn when a spirited mystery writer (played by Tina Fey, who thoroughly relishes her role in this ’40s-style setting) entices him with an enticing challenge. Poirot must determine whether a psychic (portrayed by Michelle Yeoh) possesses genuine abilities to communicate with the deceased or if her skills are merely a clever ruse.
Ever the rational and analytical man, Poirot initially dismisses any notions of the supernatural. The psychic herself accuses him of attempting to discredit her. Nevertheless, he agrees to attend a séance held at the allegedly haunted residence of a wealthy woman (Kelly Reilly of “Yellowstone”), who seeks to connect with her late daughter, presumed to have died by suicide.
The séance assembles a diverse group of individuals linked to the deceased girl, setting the stage for a perplexing mystery. To make matters more thrilling, adverse weather conditions trap everyone inside the seemingly haunted house, intensifying the atmosphere and adding a cinematic touch reminiscent of classic horror films.
Branagh, in his directorial role, may indulge in a few dramatic flourishes, but he effectively provides a platform for his international ensemble cast to shine. Notably, young Jude Hill, who previously starred in Branagh’s heartfelt “Belfast,” portrays the precocious son of the doctor (played by Jamie Dornan) responsible for treating the deceased girl.
While these adaptations exude a charming old-fashioned quality, Branagh’s genius lies in his ability to contemporize Agatha Christie’s works, take advantage of stunning international settings, and infuse Hercule Poirot’s character with delightful quirks and tics, making it uniquely his own.
As we embark on this new Poirot adventure in “A Haunting in Venice,” one thing becomes clear: retirement is not on the detective’s horizon. Kenneth Branagh’s Poirot continues to offer breezy and entertaining mysteries, leaving audiences eagerly awaiting his next case.
“A Haunting in Venice” is set to premiere on September 15 in U.S. theaters, promising an intriguing blend of detective prowess and supernatural intrigue. This PG-13-rated film is a must-see for fans of mysteries, Agatha Christie, and the inimitable Hercule Poirot.
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